A friend of mine, we shall call him Man Without Blog Who Should Have A Blog, pointed me towards the Harry Clarke project. I think it’s a brilliant idea to take public domain art and turn it into something new. (There’s a very good discussion to be had about respecting the author wishes, but maybe 70 years after his death is enough respect to give someone.)
My writing is not nearly weird enough to fit into the typical OSR community; I write content fifth edition, and Forgotten Realms is usually where my headspace is. So, my contribution isn’t as cool as dreamfesters and mobs who dance so beautifully it perminantly enraptures those who see it.
I’d like to write adventures. I’d quite like to write good adventures. So I decided to take a look through six low level, mostly short adventures and see what they do differently from each other. What techniques are used, and what information is expected from an adventure.
I feel like I’ve learnt a few things; that dungeon crawls are par for the course, that read aloud boxes aren’t for describing an area, and that art in the book isn’t the highest priority.
I’ll likely be following up with some blog posts adding in less dispassionate points of view on a lot of what I discovered during the review. Until then, feel free to have a read and let me know your thoughts.
Every time I’ve seen a surprise round happen, the rule has
been different with every DM. The entire rule, including fluff, is around 150
words. Maybe I can try and explain the RAW rule in a few bullet points.
Surprise happens when the at least one member of
the fight is being sneaky.
Foreach person being sneaky, compare their Stealth with the Passive Perception of each opponent.
Any opponent which fails the contest at least once
Surprised means you can’t move, take an action
(including bonus actions), or use a reaction.
They do still have a turn; any “at the start of
your turn” and similar triggers still happen.
(Hey, only 72 words!)
I’m not sure I’ve ever seen it played like that.
If I recall properly, in the game I play in most weeks, if
we have surprise, we basically get a free round. This works in my head just
fine: we all get to do something really quickly before they even notice what’s
hit them. I believe we also typically get advantage on attacks, which may come
from being Hidden.
Ultimately, I think most ways I’ve seen fulfil the purpose
of what Surprise was intended to do: reward players for being smart in combat.
Whilst running head first, swords blazing, is always an option, it leads to
combat becoming stale. So long as there’s a reward for changing up combat
somehow, I’m down for it!
Hiding isn’t the only way to kick start a fight in your
advantage though. The rule ignores scenarios where the characters burst into
combat mid-conversation. In this case, my group’s house rule makes a lot more
Alternatively, maybe just swapping out the Passive Perception
check for a Dexterity save or contested Sleight of Hand. (The downside here is
that now the DM has to roll for all the NPC’s they’re running. Could Passive Dexterity (Sleight of Hand) be a
Gravity Wing is a working title for the game I’m building. This isn’t
supposed to be a AAA game with a fantastic story and quests that take you to the
edges of the world; it’s supposed to just give me a space to be putting together
some of the techniques I’ve been learning.
Features added this sprint
Added in your ship!
Added a spacey background, so that your ship is
Added some space trash that you can click on,
see a tooltip for, and then pick up.
Added an Inventory screen with 3 “bays”.
Fooled around with the camera angles.
I’m actually still miles behind
even the tutorials which covered spaceship games, even so whilst the above isn’t
objectively impressive, I’m quite pleased with how this is coming along. I did
initially toy with the idea of just copy and pasting the tutorial space shooter
but I have learnt a whole bunch in making something non-prescriptively.
I don’t actually have a gameplay
idea for the game yet: no story, no mechanics. The only inspiration so far is
Rey’s (Star Wars) home world job, where she’s collecting space trash and
selling it. Even there, I’ve not decided if this is a “shoot through the monsters
to get to the loot” or “adventure around for the loot” game. At the moment I’m following
where the features I need to make will take me.
The entire game right now
consists of clicking some loot, collecting it, and then checking your inventory
to see that you picked it up. As you can’t close your inventory yet, that’s
your end-game success screen too!
The messy first commit is
actually over on Github.
You can even download
the game right now, if you’re on a Mac. (I only know how to build for a
I’ve not decided that the camera
will stay like this.
I started off with a simple
top-down view. However, I think this view gives a bit more life to the 3d of
There’s still work to be done
around decided how much the camera should follow the ship. I can imagine it
getting frustrating to have it flicking all over the place as you move around.
Maybe separate controls for the camera? (Like the right joystick in most games.)
Constant rotation. The player should mostly always be parallel to
the ground. I wrote no code to change this. However, when I decided to rotate
that piece of space trash to give it a bit of a “stuck in the sand” feel, some
Unity tries to keep the physics
of an object bumping into another object quite real, which includes the fact that
if you run head first into a sloped object then you’ll be pushed down (or up) a
little. This made the ship go spinning like crazy.
The fix here was just to apply
Infinite angular drag, so that it could spin at all like that. I’m sure this’ll
come back to bit me, but I’m not sure how else to fix it until it does.
Sliding under the floor. I’ve gone ahead and constrained the player’s
vertical movement, as the above bug also paused the movement to change.
In my last post I referred to a game that I wanted to build
and had to learn Blender and 3d modelling to get started on it. I don’t have a
huge success ratio of projects started to projects finished, so I’d like to
walk you through the three key things that I want the game to have so that
maybe someone reading this will one day make the game of my dreams.
The Principle of Finite Resources
There is X iron in the world. Once it’s all been dug up and
turned into swords, you need to start melting down swords if you want to build
Or, more interestingly, say you come across a beehive. You
bet that you’ll find some tasty honey in there! Be aware that if you loot all
of the honey, the bees will probably starve to death. Without the bees, who’s
gonna pollenate those apple trees? Then what will the squirrels eat?
I love this kind of mechanic because it immediately starts
to get away from the developer and change the world in ways they never wrote.
Those squirrels had to move further north to find food, which the wolves there
are pretty thankful for. Now there’s more wolves. That northern part of the map
is now a more difficult area to travel through, all because a few in-game
months ago you took too much honey.
Dwarf Fortress’s famous cat story shows this off pretty well.
The Principle of Finite Stories
I started playing Elder Scrolls: Online the other day and
have been quite enjoying it. I was super pleased with having saved a living god
from someone sapping away his powers. I walked around town with my head held
high knowing that the Warrior-Poet himself gave me his blessing.
I can’t say I was modest about this. I told everyone. At
some point someone said, “oh, yeah, I remember that quest. I did it on my other
character a few weeks ago.”
Well that sucks. Either Vivvec is really clumsy or my achievement
is down to nothing. No one on the other side of the city is thinking “gosh,
there’s that guy that saved the Warrior-Poet.” They’re thinking, “bloody hell,
so many people wearing that unique gift from a man that can’t keep his powers to
This principle bleeds from Finite Resources: only one player can ever have the reward for that
quest. Only one player can ever save a city from its 12 year siege. You can’t
allow bloody everyone do it.
I’d still like the game to have people within the world
though. I acknowledge that it’ll be very tricky to do this as an MMO. I’m imagining
that the population for player characters in a world like this might be 100
people, rather than thousands you’d find in WoW. Of those 100 people, just one
will be known as the guy that saved the world from The Big Angry Lizard.
Hopefully the reason for this is clear from my example
scenario: players should be making the history of the world with their actions.
If you see someone with a fancy axe that glimmers with the cold energy of the Mountain
Giants, you know it’s because they were the first to adventure through that
particular area of the world. They were pioneers.
The Principle of Persistent Life
I’m aware I’m going to lose a few of you with this one.
Your character should never “log off”. Never should you
close the game and your avatar disappears from the world, taking all of the Finite Resources and Finite Story loot with it.
This raises two opportunities in the form of mechanics: the
Logic system and complex crafting.
I did not invent the Logic system, but I hope you’ll forgive
me for giving it a name I can write around. Dragon Age was the first game where
I saw this kind of thing. There’s a rather complicated and well-loved part of
the game where you set up lots of conditions and actions. Handsome Templar should always rush first into a fight and trigger his
Big Swing ability if there’s two people in range. If there’s only one person in
range, use Little Stab. In Dragon Age you do this because combat happens in
real time and you are controlling a team of four people. In this game, you do
it because you won’t always be at the controller.
As your avatar never disappears, it may as well be doing
That takes me onto the complex crafting system. In Minecraft
it takes half a second to make a turn some iron bars and a stick into a
pickaxe. At worst, the iron bars took a couple minutes to smelt. The reason it
takes such little time is because it’s boring as hell to sit around and wait.
There are also many steps between ingredients
and completed pickaxe.
In a game with the Logic system and Persistent Life, all the
crafting can be done in “real time” (read: not actually real time) whilst you’re
offline. Maybe you just have the game running on a monitor that’s hanging from
your kitchen wall to watch your guy painstakingly making two hundred clay
bricks. However, you watch it – or don’t – your avatar is doing the tasks that
you’ve predefined it should be doing.
That doesn’t have to be crafting. Hopefully the system will
be smart enough that you can send your adventurer off on a big journey towards
that smoke cloud that appears every two weeks. You can set the Logic system to
keep an eye out for food, fighting off bad guys, and run away if needed.
Your “Log of interesting things” will catch you up when you
All these things together add up to a world that can change
and grow on its own, with butterfly affects changing it entirely with each act.
New servers maybe created identically, but as soon as your avatar starts
killing blades of grass by walking on them, the world starts rapidly changing
into a unique one no one else has been in.
Economies can emerge naturally. Magic can be truly rare
(since not everyone has the same quest rewards). Careers can develop. Alliances
forged. It’ll be a world your avatar can have a real impact on.
Stories can still be told within the possibilities of the
principles, but for the first time your experience the stories will happen around you. No one will be waiting for you to kick off a story line. The moment
you start a new server The Siege of Capbelly Castle is already underway. The
Lord there will send off a man through the hidden tunnel exit to try and find
aid. Will he get to an ally in time? Or will he (due to the randomness of
combat) be killed by a passing bear? Without the allies’ aid (which could
happen either way, entirely out of your hands whilst you’re on the other side
of the map) Capbelly will fall. By the time you get to it, it’ll be a ruin.
But if you so choose to go towards it first, maybe you’ll be there in time.
Say you want to help Capbelly; what can you do? Well, they
need more weapons. Maybe you can smuggle some in. With enough armaments they
might just be able to push back the aggressors. You could spoil their food or disrupt
their supply chain – remember persistent
resources means they can’t summon food from nowhere. There’s a caravan out
there on its way with their supplies. You could kite a hoard of wolves to the
battlefield, and then let them do their thing.
None of this would be in a quest description box anywhere.
With the three principles the restrictions and reactions should be obvious to
an action you do. Make your own mind up.